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When the COVID-19 pandemic threatened to suspend Salt Lake Community College’s prison education program in the spring of 2020, the school rushed to expedite a way it could continue to offer classes should future shutdowns occur.

It came in the form of 100 new laptops.

The devices, slated to arrive at the Draper prison this summer, will allow students to study from their cells, type papers, access educational resources and contact their professors, said David Bokovoy, SLCC’s director of prison education. Students will not have access to the internet.

The school purchased the laptops after an anonymous donor made a gift in March that made it possible, said Lexi Wilson, an administrative assistant for the program. Providing students laptops had been on the wish list for years, but the pandemic made it a more pressing issue, said Wilson.

Before COVID-19 appeared in Utah, about 250 students were taking classes each semester, but the pandemic forced the program to stop classes until last fall.

“We had no clue if we were going to continue or end the classes all together,” Wilson said. “This was not by choice, but the prison wasn’t allowing any programming during that time.”

The number of students currently taking classes is down to about 80.

The laptops are a fairly simple addition, but Bokovoy said its impact increases access to education significantly when classes are curtailed due to a global pandemic or forced lockdowns.

The prison education program at SLCC has become one of the biggest in-person prison education programs in the country, Bokovoy said. Since its inception in 2017, the program has served more than 600 students, per SLCC.

While most prison education programs are run off site through correspondence, Bokovoy said holding face-to-face classes remains a priority because they provide students with a positive social environment where topics of importance can be discussed with classmates and trained instructors.

The classes through the prison, he said, are no different than those offered at any one of SLCC’s 11 campuses across the Salt Lake valley.

“It is every bit as academically rigorous and demanding as what transpires on our mainstream campuses, if not more so, because of the unique challenges our students face in taking courses in that sort of environment,” Bokovoy said.

Through the program, students 18 and older who graduated high school or have a GED can pursue an Associates of Science or a general education certificate, according to Wilson. Students who are unable to perform at college level can take preparation courses in math and English.

One student, who has been incarcerated for 20 years and is required by the program to speak anonymously, said the education program makes an impact that goes beyond those taking classes.

“The presence of higher education in prison gives us a chance to radically change our lives for the betterment of everyone,” he wrote in a testimonial that Bokovoy shared. “A fully functioning higher education program creates an atmosphere of striving for knowledge and improvement. It has ripple effects that permeate the rest of the prison population.”

Many students are their first in their families to go to college, including one man who has yet to tell his mother he’s pursuing an Associates of Science degree.

“I’m about two more semesters away from that big day, and I have not told my mother because I would love to give her my degree as a Mother’s Day surprise,” he said, again in a testimonial. “I want her to be proud of me.”

Broadening access

In April 2020, SLCC was invited by the U.S. Department of Education to participate in the Second Chance Pell experiment, which is a pilot program that allows incarcerated students to qualify for need-based federal Pell Grants to help pay for postsecondary education.

This experiment, initially created in 2015, nearly doubled last year, allowing incarcerated students to use Federal Pell Grants at 130 schools located in 42 states and Washington, D.C.

In December, Congress passed the Coronavirus Response and Relief Supplemental Appropriations Act of 2021. The stimulus package included the FAFSA simplification act, which allows incarcerated people to qualify for Pell Grants, previously banned in the Clinton-era Violent Crime Control and Law Enforcement Act of 1994.

According to Prison Policy Initiative, “the average of the minimum daily wages paid to incarcerated workers for non-industry prison jobs is 86 cents.”

This has made college education for incarcerated people practically unattainable unless their prison was a part of the very recent Second Chance Pell experiment according to the Vera Institute of Justice.

A 2019 study by the Vera Institute of Justice estimates that nearly half a million inmates would be eligible for Pell grants if the ban were lifted.

Bokovoy thinks the recently passed legislation will help broaden access and reduce recidivism rates, which is the rate at which previously incarcerated people go back to prison. High recidivism rates in the U.S. have consistently been an issue.

According to a study by the Bureau of Justice Statistics that followed 404,638 state prisoners that were released in 2005, 83% “were arrested at least once during the 9 years following their release.”

Additionally, 44% of the prisoners were arrested at least once within their first year of being released.

Reducing recidivism rates, particularly for low-level drug offenders is a goal of Utah lawmakers, who passed extensive criminal justice reform in 2014. Their goals haven’t been met entirely. An audit conducted last fall “found that in 2013, the recidivism rate for low-level drug offenders was 29%” and in 2018 “that number jumped to 37%.”

Prison education has proven to be one of the best ways to combat recidivism, according to corrections experts.

In 2016, the Rand Corporation conducted a study that found that “inmates who participate in any kind of educational program behind bars—from remedial math to vocational auto shop to college-level courses—are up to 43 percent less likely to reoffend and return to prison.”

Although the initial cost of investing in prison education programs can be high, the same study found for “every dollar invested in correctional education, they save nearly five in reincarceration costs over the next three years.” Rand noted the per-person cost of prison educational programs is between $1,400 and $1,700.

For this reason, Bokovoy believes “it makes sense for taxpayers to prioritize higher education in the prison system” from a financial perspective.

Going forward, Bokovoy noted he hopes to expand the prison education system in Utah by broadening program offerings to juvenile detention centers, possibly as soon as 2022.

With the first buildings of the new Salt Lake prison facility opening near the airport by the end of this year, Bokovoy said the educational resources will also receive a sizeable upgrade for “all incarcerated individuals in the state of Utah.”

But more than anything, Bokovoy said empathy for incarcerated students is crucial.

“All of these men and women have a story,” he said. “Everyone deserves a chance to better themselves by pursuing education, and that would certainly include those who have made mistakes in the past, like we all do.”

(Steve Speckman | Salt Lake Community College) Student Seth Howell was one of two actors cast as Christopher in a performance of “The Curious Incident of the Dog in the Night-Time" at the Black Box Theatre in November 2021.

Two Salt Lake City theater groups have worked recently to help people with disabilities experience live performance — as actors and audience members, giving them accessibility and representation.

In recent months, Salt Lake Community College’s Black Box Theatre produced a play that included actors with autism in the lead role of a character who also has autism, and Salt Lake Acting Company has remodeled its space to better accommodate actors and audiences with disabilities, and offered shows catering to these audiences.

In November 2021, the Black Box Theatre presented “The Curious Incident of the Dog in the Night-Time,” the play by Simon Stephens based on the book of the same name by Mark Haddon. The play centers on Christopher, a 15-year-old boy who has autism, as he unravels the mystery of a neighborhood murder. Two of the three actors cast in the role of Christopher for the Black Box Theatre production are on the autism spectrum.

“We are able to switch between [actors] at the moment that Christopher might be overwhelmed with emotions,” said Zac Curtis, associate professor of theater at SLCC. “It’s symbolizing for us the way a person experiencing these deep emotions might say, ‘This is too much for me right now,’ and then they need another piece of themselves to fill in.”

Seth Howell, a general education major and one of the actors who portrayed Christopher, has previous experience with the play and said the Black Box’s approach is unique.

“I’ve helped out in ‘Curious Incident’ before, with how those shows interpreted autism, because their actors don’t have autism, but I do,” he said. “It’s pretty cool to get to be a part of a show that I’ve always been a part of and helped before.”

Those involved with the Black Box Theatre production said they appreciated the challenges of showing the perspective of someone with autism.

Cameron Westland, a theater major who played several parts, said the show gives the audience “a little glimpse into struggles that people deal with, that aren’t always noticed or go unspoken, like autism, and trying to fit ... into society sometimes becomes challenging for those people.”

Over at Salt Lake Acting Company, whose theater is a converted Latter-day Saint meetinghouse in Salt Lake City’s Marmalade neighborhood, the performing arts organization supports casting actors with disabilities or actors living similar experiences to the characters they play.

Representation matters,” said SLAC Accessibility Coordinator Natalie Keezer. “Who would be better to tell this story than a person who has navigated the world in a way that is similar to Christopher?”

Casting for people with disabilities shouldn’t be limited, however, she said. “Actors with disabilities — visible and invisible — should be represented on stage in every type of role.”

The challenge for such inclusivity goes beyond casting choices, to cover providing accessible spaces in the theater, both onstage and off.

In May 2020, SLAC launched the Amberlee Accessibility Fund, launched in memory of patron Amberlee Hatton-Ward, who died in 2019. Hatton-Ward used a wheelchair and frequently attended holiday productions, which were presented in SLAC’s Upstairs Theatre. Without an elevator available, friends and family had to carry Hatton-Ward into the theater.

A fund drive raised more than $1 million to renovate SLAC’s theater lobby to install an elevator that is now operational, taking patrons who need it to the second floor. The fund also is paying to remodel SLAC’s dressing rooms to make them accessible to all.

“If theater companies work to make artist spaces such as dressing rooms and backstage areas accessible to everyone, actors with disabilities will know that they are welcome to audition at that theater company,” Keezer said. “If audition rooms are a safe space for actors… to disclose information about their disability and safely ask for accommodations, there will be more actors with disabilities auditioning.”

Salt Lake Acting Company’s next production, the Utah premiere of the play “Egress” by Melissa Crespo and Sarah Saltwick, runs Feb. 2 to March 6. It will feature an open-captioned performance on Feb. 20, an audio-described show on Feb. 23, a sensory-friendly performance on Feb. 26, and a performance interpreted into American Sign Language on March 5.

Salt Lake Acting Company has been offering ASL-interpreted performances since 2015, which started with a production of “Tribes,” which featured a deaf actor playing a character who is deaf.

“It was through ‘Tribes’ that we started to become more aware of the experience we were or weren’t providing to members of the deaf community or others with visible or invisible disabilities,” Keezer said.

SLAC also has been producing sensory-friendly performances for individuals with sensory needs, including people on the autism spectrum. Light and sound levels remain low, and the intensity of any startling or loud sounds or strobe lighting is reduced. The show is modified to allow for patron movement and there are designated quiet spaces within the theater. “Accessible performances will become more and more common,” said Keezer. “Theatre should be accessible to everyone.”

Curtis said he, too, is eager to provide more opportunity and representation at the Black Box Theatre for people with disabilities, including those with autism.

“Hopefully, in future shows, we can keep thinking ... about ways in which every voice can find a place within a show,” Curtis said. “It’s time for us to be putting stories on stage that represent everybody.”

 Mike Adamson wrote this story as a journalism student at Salt Lake Community College. It is published as part of a collaborative including nonprofits Amplify Utah and The Salt Lake Tribune. 

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NOTE TO MEDIA PARTNERS PUBLISHING WORK We also request organizations include the following text either at the beginning or end of the story text:

This story is jointly published by nonprofits Amplify Utah and [Your Media Organization's Name] to elevate diverse perspectives in local media through emerging journalism. Mike Adamson wrote this story as a journalism student at Salt Lake Community College. For more stories from Amplify Utah, visit amplifyutah.org/use-our-work.

 

 

(Chris Samuels | The Salt Lake Tribune) Diana Wilson is photographed at Salt Lake Community College in Taylorsville, Thursday, Oct. 21, 2021.

When someone transitions to the gender with which they identify, they usually pick a new name. And their birth name becomes their “deadname.” Generally, others should stop using it. For many transgender people, it is associated with deep trauma, though for others it holds less emotional weight.

For Diana Wilson, hearing her deadname wasn’t so bad at first but became more difficult over time.

“When it had lost the simple ‘someone is addressing me’ meaning and picked up the ‘reminder of the time when life was worse than now most of the time’ meaning, I became less comfortable with it,” said Wilson, an adjunct humanities and history professor at Salt Lake Community College. “It is also inherently misgendering, which never feels good but feels more jarring when being misgendered has become rare.”

Kenny Smith has attended SLCC for two years, majoring in video and audio production. Smith changed their name more than 20 years ago and they also have a jarring, emotional response to hearing the name they left behind.

“If someone calls me my deadname, I find it surprising, especially if I didn’t know them before the change,” Smith described. “Some might say my response to this can be feisty because I have yet to respond really well when it happens. I almost want to shrink up and disappear and it can ruin an entire day.”

Psychologist Jean Twenge found a link between disliked first names and psychological dips in a 2006 Journal of Psychology study. Although, she did not discern if the lack of self-confidence stemmed from the undesired first name, or if the first name became associated with a lack of self-confidence and then became disliked.

A Williams Institute survey found that thoughts and attempts of suicide were significantly higher among transgender adults than the general U.S. population. The data also shows a significant drop in attempts and thoughts of suicide from respondents who were not rejected, invalidated, or attacked as often.

For some, their deadname is not weighed down with such negativity. They don’t prefer it, but there’s still some fondness associated with it.

Emma Yates, who lives in Salt Lake City and began transitioning three years ago, said she doesn’t mind her deadname. Her new name, Emma, came from her nickname, which stemmed from her old name.

“I have a unique experience with mine. I don’t mind the name I was given at birth very much because it is somewhat androgynous,” she said. “There are a few people who still call me by my birth name, which sometimes feels right to me. But that’s not the experience most trans-folks have with their names.”

Yates recalled a friend who has a masculine deadname and has seen firsthand the emotional strain it causes when forced to hear and use it regularly.

“There’s a lot of stupid things where you are forced to give your deadname. Like PayPal cash app and anything online, getting things shipped to you properly, this and that,” Yates said. “There are just all these times you have to give that name and I just saw this person’s heart get destroyed a little bit every time.”

Felix Patterson, a senior in high school, started his transition less than a year ago.

“I guess it’s odd that a name can hold so much power that you want said name dead entirely. While I don’t like being referred to by my old name, I still appreciate it and hold it dear in my heart,” Patterson said. “My parents gave me that, and they gave me that name with love and purpose the day I was born.”

Patterson said his deadname isn’t dead. Not to him. “It just really isn’t as accurate as it once was.”

Patterson wishes more people would treat transgender people like people, not an enigma.

“I don’t think people realize that transgender people don’t mind answering questions if people would just ask,” he said. “Some of them may seem uncomfortable and inappropriate, and maybe they are, but you won’t know unless you ask.”

Editor’s note: If you or someone you know is experiencing suicidal thoughts, call the Suicide Prevention Lifeline at 1-800-273-8255 or the UNI CrisisLine at 801-587-3000. LGBTQ-specific support is available through THRIVE.

Leilani Miller wrote this story as a journalism student at Salt Lake Community College. It is published as part of a collaborative including nonprofits Amplify Utah and The Salt Lake Tribune. 

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NOTE TO MEDIA PARTNERS PUBLISHING WORKWe also request organizations include the following text either at the beginning or end of the story text:

This story is jointly published by nonprofits Amplify Utah and [Your Media Organization's Name] to elevate diverse perspectives in local media through emerging journalism. Leilani Miller wrote this story as a journalism student at Salt Lake Community College. For more stories from Amplify Utah, visit amplifyutah.org/use-our-work.

SLCC lowrider(Steve Speckman | Salt Lake Community College) Lowrider bikes were part of the "Redefining Chicanidad" event in October 2021 at Salt Lake Community College's West Valley Center — an event aimed at connecting education and Hispanic cultural identity. The school is working toward earning the federal designation of a "Hispanic-serving institution."

Richard Diaz and his family, immigrants from Peru, have made Salt Lake Community College a tradition that crosses generations.

When his parents arrived in Utah, making their first homes in Kearns and West Valley City, they enrolled at SLCC — learning English and completing certificates through the School of Applied Technology. One of Diaz’s older brothers took classes at the college before enlisting in the military, and another brother started studying criminal justice after he finished his military service.

“This institution is written into the story of my family,” Diaz said during SLCC’s annual 360 event in February, “and I believe its impact can also be felt across multiple communities that represent the Latinx diaspora.”

Nearly 20% of SLCC’s student body identify as Hispanic and Latinx, a higher percentage than any other college or university in Utah, as of 2021. Because of that, Utah’s largest two-year college is working to establish itself as a Hispanic-serving institution — an HSI, as designated by the U.S. Department of Education.

To qualify for HSI status, the federal Department of Education requires schools to show at least a quarter of its students identifying as Hispanic. Once the Feds grant an official HSI designation, schools can start applying for and receiving specialized grants.

According to the latest data from the U.S. Census Bureau, nearly 19% of Salt Lake County’s population is Hispanic or Latino. That rate rises to 40% for West Valley City, and 33% for Kearns. Seeking HSI status, school officials said, will help better serve those west-side students.

“As the only higher education institution located on the diverse west side of Salt Lake [County], SLCC is strategically positioned to provide access to higher education to students from these communities,” Diaz said.

Deneece Huftalin, the president of SLCC, echoed that sentiment: “If Salt Lake County is our service area, we need to reflect that service area.”

Diaz and Alonso Reyna Rivarola, another immigrant from Peru, hold directorial staff positions at SLCC, and in December started as co-leads of the school’s Emerging HSI Collaborative Work Team — created to develop and implement a formal plan for SLCC’s effort to earn the federal HSI designation. The work team expects the college to meet the requirements of the designation by 2025.

“To us, at the heart of being an HSI is not just serving Latinx students, but fundamentally re-imagining our practices with [minority] students at the center,” Rivarola said.

The Latinx ‘student experience’

At the February event, SLCC shared data that showed college-age populations in Salt Lake County grew by 53% among Latinx people in 2021, and only 14% among non-Hispanic people.

However, completion rates at SLCC dropped among Latinx students from 2020 to 2021, but rose slightly — despite the pandemic — among other students of color. And the “opportunity gap” — the percentage difference in completion rates between students of color and their white counterparts — widened by 8% among Latinx students over the same period.

That data “speaks again to the idea that student experience isn’t the same across all populations,” said Jeffrey Aird, vice president of institutional effectiveness at SLCC.

The pandemic made worse the existing problems first-generation Latinx students face, said Sendys Estevez, the college’s student success coordinator for Latinx students.

“Just stepping on a college campus and dealing with everything that college is — from college language […] the navigating of two worlds of their life as a Latinx individual, and then being a first-generation Latinx student in a predominantly white institution […] that itself is very overwhelming — can be intimidating,” Estevez said.

For some Latinx students, notably those who are undocumented, Estevez said there’s an added challenge: Not being eligible for federal student aid, so paying tuition is difficult or unfeasible.

Identity and representation

Like Estevez, Diaz works with Latinx students through such programs as Bruin Scholars and Summer Bridge. These programs — which were in place before the HSI team started work — are designed to help incoming high school students from marginalized backgrounds succeed at SLCC by offering peer mentorship, personalized assistance and connection to resources.

“The mere fact that programs like this exist point to larger, systematic issues that many of our [minority] populations face as they transition from high school, or from adult life in [the] workforce, into higher education,” Diaz said.

The age-old problem, Diaz noted, is that colleges rarely have been built with students of color in mind. What most colleges “all have in common is that [they] always, always, always started as predominantly white colleges,” he said.

Diego Pliego Nava, a qualitative researcher who is on the HSI team, presented data that showed roughly 40% of Latinx students reported a lack of belonging at SLCC — and 31% of Latinx students said they could not identify with someone at the college.

“A lot of [Latinx students] felt that [their] status as a non-traditional student impacted the way that they were able to engage socially with others outside just the classroom,” Nava said.

SLCC student Belen Castro Ruiz noted that it’s “important to see role models that look like you.” In three semesters at SLCC, Ruiz said, she had only once seen a Latina professor: Cindy Fierros, an assistant professor of psychology. “She was my role model,” Ruiz said.

School groups at SLCC have put on events aiming to foster representation. For example, in October, the West Valley Center — which holds the college’s Dream Center, an office dedicated to assisting undocumented students – hosted an event, “Redefining Chicanidad,” in celebration of National Hispanic Heritage Month.

The event showcased lowrider cars and bikes built by community members, and people attending were served gorditas, a traditional Mexican dish. The event also featured workshops, presented by Hispanic educators, which broadened the scope of the term “Chicanidad” — a word used to describe people of Mexican heritage born in the United States — and promoted education by engaging Hispanic cultural identity.

What happens next

The 25 SLCC staff and faculty on the HSI work team meet monthly — and one question often asked, Diaz said, is what the initiative means for students who are not Latinx.

“There’s a saying that goes ‘rising tides raise all boats,’” Diaz said. “If we’re serving this group, this community that has been marginalized for years […] and we have a framework in which how we do this, we can use the same framework to serve other students and other communities that have been marginalized just the same or more.”

The goal, Estevez said, is not to focus on any one group of students — because that would replicate an issue the school is working to fix. “We’re not gonna get it right 100% of the time,” Estevez said, but she remains confident that the desire of SLCC’s staff and faculty to better serve students will promote success.

“We want to serve anyone that walks through our doors the best way that we can, given who they are, what it is that they want to accomplish, and what their vision is for that,” she said.

Cristian Martinez wrote this story as a journalism student at Salt Lake Community College. It is published as part of a collaborative including nonprofits Amplify Utah and The Salt Lake Tribune.

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NOTE TO MEDIA PARTNERS PUBLISHING WORK

We also request organizations include the following text either at the beginning or end of the story text :This story is jointly published by nonprofits Amplify Utah and [Your Media Organization's Name] to elevate diverse perspectives in local media through emerging journalism. Cristian Martinez wrote this story as a journalism student at Salt Lake Community College. For more stories from Amplify Utah, visit amplifyutah.org/use-our-work.

 

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